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NEW YORK--(BUSINESS WIRE)--Warner Music Group Corp. will release its financial results on Thursday, August 6, 2026, for the third quarter ended June 30, 2026, and will hold an earnings conference call that afternoon at 4:30 p.m. ET. To access the conference call, please register here. Once registered, you will receive an email with unique dial in details with a PIN to join the call. We suggest you call in 10 minutes prior to the start time. If you do not anticipate asking a question, we recomme.

, /PRNewswire/ -- Warner Music Group (WMG) and NetEase Cloud Music, a leading interactive music streaming service provider in China, today announced the renewal of their strategic licensing agreement.

This multi-year extension deepens the long-standing partnership between the two companies, multiplying opportunities in China for WMG's artists and songwriters and offering NetEase Cloud Music's highly engaged user base new and enhanced ways of engaging with their music.

The two companies will expand their partnership from distribution of WMG's historic recording and publishing catalog to collaboration on promoting WMG's talent, who will benefit from dedicated marketing support by NetEase Cloud Music to strengthen and grow their relationships with Chinese audiences. Leveraging NetEase Cloud Music's strength in interactive community experiences, the renewed partnership will now focus on multimedia content collaboration beyond audio streaming, creating a richer and more immersive experience for fans.

Robert Kyncl, CEO of Warner Music Group, says: "China is a vital part of the global music ecosystem, and our continued partnership with NetEase Cloud Music is key to our mission to maximize our artists' reach in the region.  By leveraging NetEase's innovative social platform and deep understanding of Chinese youth culture, we're building lifelong fanbases for our artists in this important and fast-growing market."

William Ding, CEO of NetEase Cloud Music, adds: "We're delighted to extend our successful collaboration with Warner Music Group.  NetEase Cloud Music has always been the platform of choice for young users to discover and share great music, and to interact with artists.  Together with WMG, we'll continue to push the boundaries of how music is experienced, ensuring that the world's premium music is accessible to our users."

This renewal marks another milestone in a relationship that began in 2020 and has helped evolve the landscape of the Chinese music market. With China now firmly established as one of the world's top five recorded music markets by revenue, the deal underscores a shared commitment to a healthy, sustainable, and artist-centric digital music environment.

About NetEase Cloud Music

NetEase Cloud Music ("Cloud Music Inc.," HKEX: 9899) is one of the leading online music platforms in China, featuring an interactive content community for music enthusiasts in terms of user scale and engagement. NetEase Cloud Music is also the leading original music platform in China, hosting more than one million independent musicians. NetEase Cloud Music has built a large-scale, robust and rapidly growing business to provide community-centric online music services to its users. NetEase Cloud Music empowers music enthusiasts with a wide variety of technology-driven tools to discover, enjoy, share and create diverse music and music-inspired content and to interact with each other.

About Warner Music Group

Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. Operating in more than 70 countries through a network of affiliates and licensees, WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, First Night, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Music Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.

SOURCE NetEase Cloud Music

Warner Music Group Corp (NASDAQ:WMG) is expected to see a normalization in market share during its fiscal third quarter while continuing to benefit from broader growth trends in the music industry, according to Bank of America.

The bank maintained its 'Neutral' rating and $35 price objective on the company, writing that WMG’s upcoming results should reflect a return toward more typical market share levels after several quarters of stronger-than-usual performance.

Shares of WMG traded hands at $29 on Wednesday afternoon, down about 5% so far this year.

“WMG continues to see the benefit of PSM escalators and/or recent price increases, and after several quarters of robust market share, there has been some mean reversion toward other labels,” Bank of America wrote. The firm added that the shift had been well telegraphed following WMG’s fiscal second-quarter results.

Bank of America expects subscription streaming growth could accelerate later in the year, supported by an additional PSM agreement rolling into the fourth fiscal quarter. The firm noted that recent agreements with digital service providers (DSPs) have improved visibility into subscription streaming growth and, alongside cost-cutting initiatives, could support multi-year earnings growth.

The analyst also highlighted artificial intelligence as a key area of focus for investors, with the technology presenting both opportunities and risks for the music industry. While concerns remain around synthetic content and potential disruption to traditional music models, Bank of America wrote that AI could create new monetization opportunities.

The firm pointed to Spotify’s recent investor day, where the streaming platform outlined plans for a potential higher-priced AI and “superfan” subscription tier. However, Spotify has not yet reached an agreement with WMG, despite announcing a deal with Universal Music Group (AEX:UMG), which Bank of America believes would be necessary before such a product could launch.

“Although the structure of these agreements remains uncertain, we see a path to win-win outcomes if AI-enabled premium tiers can drive further monetization of music content,” the firm wrote.

Bank of America maintained its fiscal third-quarter estimates for WMG, forecasting revenue of $1.81 billion and adjusted operating income before depreciation and amortization (OIBDA) of $417 million. For fiscal 2026, the firm kept its revenue forecast at $7.29 billion and adjusted OIBDA estimate at $1.72 billion.

The bank said it continues to view the risk-reward profile for WMG shares as balanced at current levels, citing improved visibility from recent DSP agreements.

For the quarter ended March 2026, Warner Music Group Corp. (WMG - Free Report) reported revenue of $1.73 billion, up 16.7% over the same period last year. EPS came in at $0.44, compared to $0.07 in the year-ago quarter.

The reported revenue compares to the Zacks Consensus Estimate of $1.63 billion, representing a surprise of +6.22%. The company delivered an EPS surprise of +48.35%, with the consensus EPS estimate being $0.30.

While investors scrutinize revenue and earnings changes year-over-year and how they compare with Wall Street expectations to determine their next move, some key metrics always offer a more accurate picture of a company's financial health.

As these metrics influence top- and bottom-line performance, comparing them to the year-ago numbers and what analysts estimated helps investors project a stock's price performance more accurately.

Here is how Warner Music Group performed in the just reported quarter in terms of the metrics most widely monitored and projected by Wall Street analysts:

Revenue- Total Recorded Music: $1.38 billion compared to the $1.28 billion average estimate based on two analysts.Revenue- Music Publishing: $353 million compared to the $337.37 million average estimate based on two analysts.Revenue- Corporate expenses and eliminations: $-1 million compared to the $-1.53 million average estimate based on two analysts.Revenue- Recorded Music- Digital: $975 million versus $933.05 million estimated by two analysts on average.Revenue- Recorded Music- Physical: $137 million versus $107.23 million estimated by two analysts on average.Revenue- Recorded Music- Total Digital and Physical: $1.11 billion versus the two-analyst average estimate of $1.04 billion.Revenue- Music Publishing- Other: $4 million compared to the $3.98 million average estimate based on two analysts.Revenue- Recorded Music- Licensing: $104 million versus the two-analyst average estimate of $108.68 million.Revenue- Music Publishing- Performance: $58 million compared to the $55.4 million average estimate based on two analysts.Revenue- Music Publishing- Digital: $224 million versus the two-analyst average estimate of $209.62 million.Revenue- Music Publishing- Mechanical: $17 million versus the two-analyst average estimate of $15.71 million.Revenue- Music Publishing- Synchronization: $50 million compared to the $52.68 million average estimate based on two analysts.View all Key Company Metrics for Warner Music Group here>>>

Shares of Warner Music Group have returned +10.2% over the past month versus the Zacks S&P 500 composite's +11.4% change. The stock currently has a Zacks Rank #3 (Hold), indicating that it could perform in line with the broader market in the near term.

Earnings Beat ExpectationsWarner Music reported second-quarter revenue of $1.732 billion, beating analyst estimates of $1.612 billion. Earnings came in at 35 cents per share, ahead of consensus estimates of 27 cents.

Total revenue increased 17% year over year, or 12% in constant currency, supported by growth in both recorded music and music publishing operations.

Adjusted OIBDA rose 31% year over year, or 24% in constant currency, to $397 million, reflecting improved operating leverage and cost discipline.

Streaming Momentum Drives GrowthThe company said growth was fueled by accelerating streaming performance, supported by higher per-subscriber pricing and continued market share gains.

Management also highlighted ongoing cost-saving initiatives and operational efficiencies, which helped drive margin expansion. Warner Music expects full-year margin expansion to land at the high end of its previously guided 150-basis-point to 200-basis-point range.

Bain Joint Venture Expands Catalog PortfolioWarner Music also pointed to strategic progress through its joint venture with Bain Capital, which deployed $650 million to acquire recorded music and music publishing catalogs.

The company said the acquisitions strengthen its long-term content portfolio and reinforce future revenue opportunities tied to owned intellectual property.

Balance Sheet PositionAs of March 31, 2026, Warner Music reported cash and equivalents of $741 million and total debt of $4.719 billion.

Analysts Raise Price ForecastsAnalysts turned more bullish on Warner Music following the company's latest quarterly results and continued streaming momentum.

Guggenheim Partners analyst Michael Morris raised his price forecast on the stock to $36 from $34 while maintaining a Buy rating.

Morris said Warner Music delivered results that significantly exceeded expectations. He added that the higher valuation reflects an improved earnings growth outlook, supported by continued subscription streaming momentum and ongoing cost-efficiency measures.

The analyst also said Warner Music is well-positioned to benefit from the broader adoption of artificial intelligence. According to Morris, the company's proprietary content library should remain a key driver of consumer demand as music distribution models continue to evolve.

Separately, Evercore ISI analyst Vijay Jayant raised his price forecast on Warner Music to $43 from $37 while maintaining an Outperform rating.

Warner Music Price ActionWMG Price Action: Warner Music shares were up 5.69% at $32.80 at the time of publication on Friday, according to Benzinga Pro data.

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NEW YORK--(BUSINESS WIRE)--Warner Music Group Corp. announced today that Armin Zerza, Chief Operating Officer and Chief Financial Officer, will participate in a question and answer session during the J.P. Morgan Global Technology, Media and Communications Conference on Wednesday, May 20th, at 11:20am ET.

A live webcast of the session will be available to the general public through a link on the Investor Relations page of Warner Music Group’s website. A replay of the audio webcast will be available in the Past Events section of Warner Music Group’s Investor Relations homepage.

About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG’s Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin’, Warner Records, Warner Classics, and Warner Records Nashville. WMG’s music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.

The inaugural Amplify Music Investment Summit brought together fund managers, wealth advisors, and music industry executives at Virgin Hotels in New York City in May. The day-long event examined what separates the winners from the losers in the music asset class.

Key Takeaways: AI-generated music accounts for less than 1% of actual consumer consumption. Investors who collect music royalties without managing the assets risk losing income to others’ decisions. Institutional demand for music royalty bonds is unlimited, but supply remains far below mainstream credit markets. The event, co-presented by the Mondo.NYC Conference and the MUSQ Global Music Industry ETF (MUSQ), carried one central message: Buying music catalogs and sitting on them is no longer a winning strategy. The investors generating returns today are the ones actively working their assets.

The morning keynote brought together Warner Music Group (WMG) chief executive officer Robert Kyncl and Lisa Yang, EVP and global head of strategy at WMG. CNBC anchor Jon Fortt led the conversation. Yang described how WMG now approaches its catalog investments like a portfolio manager, weighing each deal against the full portfolio and targeting returns in the high-teens range.

That shift reflects a broader change in how WMG evaluates opportunities. Rather than assessing deals by label or country, Kyncl said the company now runs a centralized pipeline review. That allows it to redirect capital to its highest-return opportunities more quickly.

WMG on Valuations, AI, and Music Investment Strategy Yang pointed to a valuation gap between where WMG’s stock trades and what comparable catalogs fetch in private deals. She said the company has recently traded at around 10 times EBITDA, a measure of earnings before interest, taxes, depreciation, and amortization. Private transactions for similar-quality assets have commanded multiples well above that level.

Yang said AI-generated songs are flooding streaming platforms daily, but actual consumer consumption of that content remains very low. “The actual consumption is probably less than 1%,” Yang said. Even in China, where AI adoption in music is further along, WMG has seen no impact on its market share.

Kyncl offered a counterintuitive read on AI’s long-term effect on established catalogs. Casual content creators, Kyncl argued, tend to reach for recognizable artists and sounds over anonymous AI-generated content. That behavior, he argued, should push demand for iconic intellectual property higher over time.

Catalogs, Royalties, and the Risk of Doing Nothing The “Music Rights as an Asset Class” panel covered similar ground from an allocator’s perspective. Larry Miller, clinical professor at NYU Steinhardt and executive director of the Sony Audio Institute, moderated the discussion.

Miller opened with a thesis: Music became a legitimate investment category when streaming arrived. It turned a volatile, hit-driven business into one with steady, recurring revenues that behave more like real estate or infrastructure.

Cameron Smalls, managing director at Morgan Stanley, made the case for why simply owning royalties is not enough. He warned that passive holders have no say if a copyright owner moves to a pricier distribution platform. They also have no recourse if that owner takes out an advance that cuts their income. Without the ability to make decisions, investors are at the mercy of choices made by others. “If you’re passive, you’re in the backseat,” Smalls said.

Josh Gruss, founder and chief executive officer of Round Hill Music, pointed to his own fund as an example of what that misunderstanding looks like in practice. He said Round Hill’s publicly listed vehicle once traded at a 50% discount to its net asset value. In other words, public market investors were valuing it at half of what its underlying assets were actually worth.

That kind of mispricing, he suggested, is what happens when investors don’t fully grasp what they own. Knowing what you own is the first step toward doing something about it.

Natalia Nastaskin, partner and chief content officer at Primary Wave Music, offered the clearest example of what taking action actually looks like. She gave an example of the company’s effort with the Luther Vandross estate.

That included producing a CNN documentary that Nastaskin said was the most-watched documentary film since 2022. It also capitalized on a Kendrick Lamar and SZA collaboration that sampled a Vandross recording, and a brand partnership with Waterford Crystal. An Alvin Ailey dance production tied to the catalog launches in November at New York’s City Center, with a biographical film also in development.

Permanent Capital and the Demand for Music Bonds Steve Salm, chief business development executive at Concord, credited the company’s majority investor, a pension fund associated with the state of Michigan, with providing what he called permanent capital. That structure has allowed Concord to grow without the pressure of a fixed exit deadline.

Gruss added that the traditional private equity timeline of five to 10 years is simply too short for assets that grow in value across decades.

Smalls closed the macro discussion by noting that institutional appetite for music asset-backed securitizations, which are bonds backed by royalty income, is effectively unlimited. “No limit in investor demand,” Smalls said. “The problem is there’s not enough paper.”

He framed the gap: Music copyrights globally generate roughly $40 billion per year, while the U.S. mortgage market alone represents $15 trillion. The pool of music royalty bonds is a fraction of what large institutional investors are used to deploying capital into.

MUSQ, which co-presented the summit, tracks the MUSQ Global Music Industry Index and carries an expense ratio of 0.76%. The fund had approximately $22.4 million in assets under management, according to ETF Database.

For more news, information, and analysis visit the Thematic Investing Content Hub.

VettaFi LLC (“VettaFi”) is the index provider for MUSQ, for which it receives an index licensing fee. However, MUSQ is/are not issued, sponsored, endorsed, or sold by VettaFi, and VettaFi has no obligation or liability in connection with the issuance, administration, marketing, or trading of MUSQ.

Warner Music Group Corp. (WMG) Presents at J.P. Morgan 54th Annual Global Technology, Media and Communications Conference Transcript

Momentum investing revolves around the idea of following a stock's recent trend in either direction. In "long context," investors will be essentially be "buying high, but hoping to sell even higher." With this methodology, taking advantage of trends in a stock's price is key; once a stock establishes a course, it is more than likely to continue moving that way. The goal is that once a stock heads down a fixed path, it will lead to timely and profitable trades.

Even though momentum is a popular stock characteristic, it can be tough to define. Debate surrounding which are the best and worst metrics to focus on is lengthy, but the Zacks Momentum Style Score, part of the Zacks Style Scores, helps address this issue for us.

Below, we take a look at Warner Music Group Corp. (WMG - Free Report) , which currently has a Momentum Style Score of B. We also discuss some of the main drivers of the Momentum Style Score, like price change and earnings estimate revisions.

It's also important to note that Style Scores work as a complement to the Zacks Rank, our stock rating system that has an impressive track record of outperformance. Warner Music Group Corp. currently has a Zacks Rank of #1 (Strong Buy). Our research shows that stocks rated Zacks Rank #1 (Strong Buy) and #2 (Buy) and Style Scores of "A or B" outperform the market over the following one-month period.

You can see the current list of Zacks #1 Rank Stocks here >>>

Set to Beat the Market?Let's discuss some of the components of the Momentum Style Score for WMG that show why this company shows promise as a solid momentum pick.

Looking at a stock's short-term price activity is a great way to gauge if it has momentum, since this can reflect both the current interest in a stock and if buyers or sellers have the upper hand at the moment. It's also helpful to compare a security to its industry; this can show investors the best companies in a particular area.

For WMG, shares are up 3.86% over the past week while the Zacks Film and Television Production and Distribution industry is up 0.38% over the same time period. Shares are looking quite well from a longer time frame too, as the monthly price change of 21.05% compares favorably with the industry's 1.03% performance as well.

Considering longer term price metrics, like performance over the last three months or year, can be advantageous as well. Over the past quarter, shares of Warner Music Group Corp. have risen 21.6%, and are up 32.11% in the last year. On the other hand, the S&P 500 has only moved 9.16% and 30.94%, respectively.

Investors should also take note of WMG's average 20-day trading volume. Volume is a useful item in many ways, and the 20-day average establishes a good price-to-volume baseline; a rising stock with above average volume is generally a bullish sign, whereas a declining stock on above average volume is typically bearish. Right now WMG is averaging 2,934,588 shares for the last 20 days..

Earnings OutlookThe Zacks Momentum Style Score also takes into account trends in estimate revisions, in addition to price changes. Please note that estimate revision trends remain at the core of Zacks Rank as well. A nice path here can help show promise, and we have recently been seeing that with WMG.

Over the past two months, 4 earnings estimates moved higher compared to none lower for the full year. These revisions helped boost WMG's consensus estimate, increasing from $1.39 to $1.52 in the past 60 days. Looking at the next fiscal year, 4 estimates have moved upwards while there have been no downward revisions in the same time period.

Bottom LineTaking into account all of these elements, it should come as no surprise that WMG is a #1 (Strong Buy) stock with a Momentum Score of B. If you've been searching for a fresh pick that's set to rise in the near-term, make sure to keep Warner Music Group Corp. on your short list.

Shares of Warner Music Group Corp. (WMG - Free Report) have gained 8.1% over the past four weeks to close the last trading session at $30.8, but there could still be a solid upside left in the stock if short-term price targets of Wall Street analysts are any indication. Going by the price targets, the mean estimate of $38.61 indicates a potential upside of 25.4%.

The mean estimate comprises 18 short-term price targets with a standard deviation of $5.38. While the lowest estimate of $23.00 indicates a 25.3% decline from the current price level, the most optimistic analyst expects the stock to surge 49.4% to reach $46.00. It's very important to note the standard deviation here, as it helps understand the variability of the estimates. The smaller the standard deviation, the greater the agreement among analysts.

While the consensus price target is a much-coveted metric for investors, solely banking on this metric to make an investment decision may not be wise at all. That's because the ability and unbiasedness of analysts in setting price targets have long been questionable.

However, an impressive consensus price target is not the only factor that indicates a potential upside in WMG. This view is strengthened by the agreement among analysts that the company will report better earnings than what they estimated earlier. Though a positive trend in earnings estimate revisions doesn't give any idea as to how much the stock could surge, it has proven effective in predicting an upside.

Price, Consensus and EPS Surprise

Here's What You May Not Know About Analysts' Price TargetsAccording to researchers at several universities across the globe, a price target is one of many pieces of information about a stock that misleads investors far more often than it guides. In fact, empirical research shows that price targets set by several analysts, irrespective of the extent of agreement, rarely indicate where the price of a stock could actually be heading.

While Wall Street analysts have deep knowledge of a company's fundamentals and the sensitivity of its business to economic and industry issues, many of them tend to set overly optimistic price targets. Are you wondering why?

They usually do that to drum up interest in shares of companies that their firms either have existing business relationships with or are looking to be associated with. In other words, business incentives of firms covering a stock often result in inflated price targets set by analysts.

However, a tight clustering of price targets, which is represented by a low standard deviation, indicates that analysts have a high degree of agreement about the direction and magnitude of a stock's price movement. While that doesn't necessarily mean the stock will hit the average price target, it could be a good starting point for further research aimed at identifying the potential fundamental driving forces.

That said, while investors should not entirely ignore price targets, making an investment decision solely based on them could lead to disappointing ROI. So, price targets should always be treated with a high degree of skepticism.

Here's Why There Could be Plenty of Upside Left in WMGThere has been increasing optimism among analysts lately about the company's earnings prospects, as indicated by strong agreement among them in revising EPS estimates higher. And that could be a legitimate reason to expect an upside in the stock. After all, empirical research shows a strong correlation between trends in earnings estimate revisions and near-term stock price movements.

For the current year, four estimates have moved higher over the last 30 days compared to no negative revision. As a result, the Zacks Consensus Estimate has increased 7.1%.

Moreover, WMG currently has a Zacks Rank #2 (Buy), which means it is in the top 20% of more than 4,000 stocks that we rank based on four factors related to earnings estimates. Given an impressive externally-audited track record, this is a more conclusive indication of the stock's potential upside in the near term. You can see the complete list of today's Zacks Rank #1 (Strong Buy) stocks here >>>> .

Therefore, while the consensus price target may not be a reliable indicator of how much WMG could gain, the direction of price movement it implies does appear to be a good guide.

Move strengthens WMG's capabilities for protection, control, and monetization of intellectual property, name, image, likeness, and voice in the AI era

, /PRNewswire/ -- Warner Music Group (NASDAQ: WMG) today announced an agreement to acquire Sureel AI. The acquisition advances WMG's mission to ensure that artists, songwriters, and rightsholders benefit wherever and whenever their work is referenced in AI-generated works or in the training of AI models.

Sureel's multi-patented technology creates "AI DNA" for every work, breaking it into component parts and tracing how AI models use those elements.

Sureel also delivers intellectual property provenance, audit and compliance reporting, model optimization, AI business intelligence, and a growing NIL (name, image, and likeness) attribution suite that tracks how artist voices, likenesses, and performance identities are used in AI training and generation — including voice clones, AI-generated avatars, and style replication. The Sureel registry today holds millions of music assets, with the architecture to extend its multi-layer attribution into video and image at scale.

Sureel will continue to operate as a standalone platform serving the broader music and AI ecosystem, strengthened by Warner Music Group's resources, scale, and strategic support.

Robert Kyncl, Chief Executive Officer, Warner Music Group, said:

"AI powers a large fan engagement and value creation opportunity for our industry, while making the human provenance of music more important than ever. Bringing Sureel into WMG strengthens our capability for protection, control and monetization and ensures that the creative community remains in control of its intellectual property, name, image, likeness, and voice. We look forward to working with Tamay and his team to advance all of their incredible work."

Dr. Tamay Aykut, Chief Executive Officer + Founder, Sureel AI, said:

"Rightsholders deserve to know how AI interacts with their work, and to share fairly in the value it creates. Sureel was built to make that possible, and with WMG's backing, we can deliver on our mission at scale, building a more transparent and fair future and driving value growth for the whole music and entertainment ecosystem."

About Warner Music Group
Warner Music Group (WMG) brings together artists, songwriters, entrepreneurs, and technology that are moving entertainment culture across the globe. WMG's Recorded Music division includes renowned labels such as 10K Projects, 300 Entertainment, Asylum, Atlantic, Big Beat, EastWest, Elektra, Erato, Fueled By Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin', Warner Records, Warner Classics, and Warner Records Nashville. WMG's music publishing arm, Warner Chappell Music, has a catalog of over one million copyrights spanning every musical genre, from the standards of the Great American Songbook to the biggest hits of the 21st century. Warner Music Group is also home to ADA, which supports the independent community, as well as artist services division WMX. Follow WMG on Instagram, X, TikTok, LinkedIn, and Facebook.

Media Contact:
Hannah Karp
[email protected]

SOURCE Warner Music Group Corp.